Douze Études by Jacques Delécluse (born ) is a set of twelves studies often used as solos for exams or auditions. (AL) en-GB. Sheet Music – £ – Jacques Delecluse’s 12 Studies for Snare Drum. Published by Alphonse Leduc. Delécluse: 12 Studies [Jacques Delecluse] on *FREE* shipping on qualifying offers. 12 Etudes – Caisse Claire composed by Jacques Delecluse.

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I always keep in mind how Jacques taught me and so many students in France: I recommend to my students that they ettudes it every day. When he was teaching at the Conservatoire of Paris, he was playing all the piano accompaniments and playing them much better than most of the pianists you have to play with in auditions!

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In only two short pages, it contains everything one needs to know about snare drum playing! Many players can play it slower, but the real pedagogical and musical interest is at the exact tempo. PAS Hall of Fame.

Each etude has its own musical character and has to be played not only with a perfect technique but also with felecluse real musical expression. Percussionists had to study from orchestral excerpts, military drum books, and a couple of low-level standard pieces.

Delecluse, Jacques – 12 Etudes

It was then that he chose to become a percussionist and timpanist. Jacques first started to study piano and was a very gifted pianist, a very good student, and an excellent musician. There is a good reason that most of these books are still in use today all around the world.


From nothing, he built a real school for percussion and created a pedagogical repertoire for snare drum, xylophone, timpani, and vibraphone. Injust one week before he got the First Prize for piano, Jacques also received the Second Prize for percussion.

One can often see people in tuxedos playing some of them on stage! At the Conservatoire of Paris, Jacques also studied harmony, counterpoint, and composition, and he received the First Prize for percussion in I am very happy and proud of this, but I also know he is a great musician, a clever teacher, and a wonderful man. Years after I left the Paris Conservatory, I sometimes asked Jacques to play the orchestra score reduced for the piano with me when I was preparing to play concertos with orchestras as a soloist.

He gave me very precious ddlecluse and suggestions. The musicality is always the central point of the compositions, and this is why these books are so different and so appreciated all over the world. Like many of his works, these etudes are inspired by the orchestral repertoire.

Keisleiriana 1 in and Keisleiriana 2 inboth published by Alphonse Leduc. However, he started to play percussion again very soon and, returning to his first professional passion, he became timpanist of the orchestra in —but he still played piano, too!

These are the reasons for the success of his works. A couple of years before, Jacques started to study delelcuse with Felix Passerone, principal timpanist of the Paris Opera and teacher at the Conservatoire of Paris— the master of an entire generation of famous French etuxes.

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This is why this piece is very popular and requested in many exams and auditions. He divides his time between Paris, his country house near Paris, and the south of France near the Mediterranean in summer.

He was the best pianist and coach I could ever find! Born in September ofhe is now retired from the Orchestre de Paris and from the Conservatoire de Paris, but he is still composing music, giving master classes, and participating on juries of many exams, auditions, and competitions. In these etudes, the reference to orchestral repertoire is even more evident.

He received the First Prize at the Conservatoire de Paris in best of the competitionwith better results than many students who became great and famous soloists, such as Philippe Entremont.

So when I wrote my own snare drum etudes Snare SystemI was inspired by all I got from him during all these years, and I submitted my works to him before publication.